Interview with EllipsisZine Editor, Steve Campbell


Ellipsis Zine is an online and print literary magazine for beautifully written fiction & creative nonfiction.

How and why did you begin Ellipsis Zine, and how long has it been running?


I set up Ellipsis Zine in June 2017 and initially wanted to create an online space for flash fiction I liked to read. I hadn’t been writing flash very long and thought that a website with a mixture of work I enjoyed reading would help improve my own writing, while also offering a new space for writers to submit to. I wasn’t sure how well that was going to be received but pretty soon I was swamped with great submissions. Following on from the wave of excitement during the first month, I took the plunge and opened a call for work to be published in print and I was completely overwhelmed with the response.

What have you learned from your experience as Founding Editor?

It’s all subjective. I’ve declined work that has almost immediately been snapped up by other publications and reading them again, it was clear I was wrong to pass on them. There can also be any number of factors for a piece being declined, it’s not always because the piece isn’t ready. The magazine may not be the right fit. Timing can also be important – and not always something that a submittor can do anything about. If a piece submitted deals with the break up of a relationship, for example, I would generally pass on it if I’ve published a similar piece recently.

What do you do with your time outside working on the Zine?

I work in a marketing department, with a background in design, and so the setting up of the magazine and print zines has been a fairly smooth process.

The editorial team has expanded. Can you tell me who is on the team and how or why they were chosen?

I have a great team of flash writers helping me behind the scenes. Stephanie Hutton, Amelia Sachs, Richard De Nooy, Helen Rye, Jennifer Harvey and Christina Dalcher. It was Richard who first suggested putting together a team, to help strengthen the website and have a team to help compile the zines, and as a sounding board for ideas and advice. Working in a bubble can be difficult at times, so having a team of writers to work with has been invaluable.

What are you looking for in a piece that you hope to publish?

We want to publish stories that make us forget where we are, stories that introduce us to people, places and things we’ve never seen before and stories that stick with us long after we leave them. In the same way a great song, novel or film, hangs around with the audience. We want a great piece of flash to be something that will be read again and again, and something that will linger.

Can you tell us about the process from submission to publication in the online and print zines?

With print online submissions, I try to get back to everyone within seven days. If selected, I may put forward minor edit suggestions and then provide a date for publication. This is usually scheduled around a month or so later, depending on the time of year. With the print publications, the time between submission and selection is a little longer. With the last few zines, I’ve had one or more of the editorial board compile the list of published work for me. Again, once chosen, we ask for minor edits to the work. Once the zine is compiled, I will send page proofs to all writers, to ensure I’ve copied everything over correctly. At this point, writers have the opportunity to make any last minute changes. This is usually a week or two before publication.

Do you have any advice for authors sending you submissions?

That’s a tough question, because I tend to want to publish a wide mix of work, but it is important to note that it is all subjective. I’ve published sci-fi, horror and humour and I do notice trends with submissions. I sometimes get a batch of work that hasn’t made the longlist/shortlist of a competition, because they are all on the same theme. I’ve also noticed that I can receive a large amount of work based on death, relationship breakdown, dementia etc. I have written pieces on these subjects myself, and although, individually they are brilliantly written, when I receive a lot of them, they can lose their impact. I’d suggest that anyone who approaches these subjects to think a little differently. This will help set the work apart from others.

Can you tell us a little about the expansion into areas such as the Novella-in-Flash, collections, and zines celebrating LGBTQ writers?

Much like everything with Ellipsis, the expansion into publishing Novella-in-Flash and collections stemmed from wanting to try something new. Stephanie Hutton’s novella was a huge success, selling much more than any of the other zines and so it was natural to try and replicate that success. Talking with Stephanie about an open call, she put forward the idea of publishing an author who wasn’t as established – hence, the call for a debut flash collection from an unpublished author. This desire to give underrepresented voices a platform, naturally, influenced the decision to publish a zine that celebrated LGBTQ writers and their work.

What are your plans for Ellipsis for the coming year?

We have an extremely busy year ahead. There are a few flash events, which I will be attending in the Summer: National Flash Fiction Day, June 15th, has just been confirmed, and a publication launch. Our Love | Pride zine, celebrating LGBTQ writers and their work, is released at the end of February, along with a flash fiction collection in April/May. The Summer zine publication will be collection by a single author. Later in the year we’ll have a call for submissions for another zine and a micro-fiction competition. There are ongoing website submissions and, at some point, I may need to have a lie down.

You have recently had some of your own work published. Can you tell us about your own writing?

I’m still finding my feet with my own writing, but running Ellipsis has been extremely helpful. I have read some amazing work and this has enabled me to see what does/doesn’t work with a piece of flash. I began to write my own novella-in-flash, which was sidelined to write a novel, which was then sidelined to write another novel. At some point in the next few years I’m sure one of these projects may be finished.

What are your top five literary journals or magazines?

I love the work in Flashback Fiction. There is the added bonus of hearing the pieces being read by the authors. Popshot Magazine is also a favourite. I’m a sucker for a printed publication, and this is beautifully put together. I also regularly read MoonPark Review, TSS Publishing and Reflex Fiction, but this list is not exhaustive because there are so many great publications out there. I’ve compiled a list of some of my favourite publications on the Ellipsis website here: ellipsiszine.com/literary-magazines/

Follow EllipsisZine on twitter: twitter.com/EllipsisZine or on facebook: facebook.com/EllipsisZine.LitMag

Ellipsis is managed by Steve Campbell and has the support of an editorial board of international flash fiction writers and published authors. View their biographies here: Editorial Board.

Steve Campbell has work published in places such as Spelk, Fictive Dream, MoonPark Review, Molotov Cocktail and Flashback Fiction. He is Managing Editor of Ellipsis Zine and trying to write a novel. You can follow him via twitter @standondog and his website, standondog.com.

Short story publications

Stories published in online journals

Short stories are the heartbeat of many writers. I intersperse writing short stories with writing and editing novels. My second novel is now complete and edited. Below is a list of my recent publications and some links to other stories I have enjoyed reading.

Is He?, Mojave Heart Journal, February 2019

Lavender, Synaeresis Issue 5, January 2019

You Listen to the Sound of Gulls, EllipsisZine, December 2018

Your House is too Small, Spillwords, November 2018

Classic Short Stories for Fiction Writers

writersedit.com

Stories I Have Enjoyed Reading in Recent Publications

I Eat the Flowers on Your Grave by Barbara Lovric, Anti-Heroin Chic

Bullseye by Meg Pogkrass, Fictive Dream

Sanctus Spiritus, 1512 by Sarah Arantza Amador, Cheap Pop Lit

Against the Grain by Tara Isabel Zambrano, Wigleaf

The Mightiest Mammal, Singing by Kate Finegan, Pigeonholes

Senna by Steve Campbell, FlashBack Fiction

Screaming Story by Deve Murphy, Jellyfish Review

In November 2017 by S.L. Bailey, SmokeLong Quarterly

And if you’d like to read more….

Best Microfiction List

  • Sarah Arantza Amador, “Sanctus Spiritus, 1512” (Cheap Pop)
  • Anita Arlov, “He She It They” (National Flash Fiction Day NZ)
  • Jessica Barksdale, “Knock Knock” (Matchbook)
  • Roberta Beary, “Swimming in Circles” (KYSO Flash)
  • Matt Bell, “The Hungerer” (Wigleaf)
  • Dick Bentley, “Health Care” (Serving House Journal)
  • Gregory Brown, “Birdhouse” (PRISM International)
  • Cavin Bryce, “Fragments of Evolution” (Cheap Pop)
  • Tetman Callis, “Candlelight and Flowers” (NY Tyrant)
  • Mike Chin, “Training” (Passages North)
  • Myfanwy Collins, “Euthanasia” (Jellyfish Review)
  • Tim Craig, “Northern Lights” (Bath Flash Fiction Award)
  • Tommy Dean, “You’ve Stopped” (Pithead Chapel)
  • Olga Dermott Bond, “Mr Rochester and I” (Bath Flash Fiction v3)
  • Leonora Desar, “Fire, Ocean” (TSS)
  • Leonora Desar, “My Father’s Girlfriend” (Matchbook Lit)
  • Leonora Desar, “The Monkey” (Reflex Fiction)
  • Will Finlayson, “The Strip Club” (Southampton Review)
  • Valerie Fox, “Even the Christmas Tree was Nicer That Year” (Across the Margins)
  • Sarah Freligh, “Any Body” (Cincinatti Review)
  • Frances Gapper, “Plum Jam” (Flashback Fiction)
  • Jo Gatford, “Things Left And Found By The Side Of The Road” (Bath Flash Fiction Award)
  • Christopher Gaumer, “He Died We Left Him Til Morning” (The Citron Review)
  • Beth Gilstrap, “Becky” (Pithead Chapel)
  • Beth Gilstrap, “Bone Words” (Longleaf Review)
  • Melissa Goode, “Empire of Light” (Gone Lawn)
  • Melissa Goode, “I Wanna Be Adored ” (Cheap Pop)
  • Melissa Goode, “Tonight, We Are Awake” (Wigleaf)
  • Anita Goveas, “Frau Roentgen’s Left Hand” (Flashback Fiction)
  • Anita Goveas, “Let’s Sing All the Swear Words We Know ” (Lost Balloons)
  • Tina May Hall, “The Extinction Museum: Exhibit #28 (incandescent bulb, unlit)The Collagist” (The Collagist)
  • Toni Halleen, “Not the Whole Story” (Wigleaf)
  • Steven John, “A Brief History of Time in Our House” (Ad Hoc Fiction)
  • Peter Krumbach, “11.37” (The Adroit Journal)
  • Meghan Lamb, “Missing” (Passages North)
  • Raven Leilani, “Kanekalon” (Split Lip)
  • Page Leland, “Self Portrait with Early December” (Former Cactus)
  • Robert Lopez, “A Warm Motherly Look” (Wigleaf)
  • Paul Luikart, “Breathless” (Brilliant Flash Fiction)
  • Fiona Mackintosh, “Siren” (Bath Flash Fiction Award)
  • Fiona Mackintosh, “The Chemistry of Living Things” (Fish Publishing)
  • Lutivini Majanja, “Am Inheritance” (Flash Frontier)
  • Prosper Makara, “Lessons from my Mother” (Afreada– Africa’s Literary Magazine)
  • Dan Malakoff, “Loop-the-Loop” (Wigleaf)
  • Michael Martone, “Boom” (Always Crashing)
  • Michael Martone, “Klaus Weber, Curb House Numberer” (The Collagist)
  • Kathleen McGookey, “You Can Find Joy in Doing Laundry” (KYSO)
  • Adam McOmber, “A Roman Road” (Atticus Review)
  • Heather McQuillan, “A post-traumatic god” (Menicus)
  • KC Mead-Brewer, “It’s Shaped like a Grin, They Say” (Cheap Pop)
  • Jose Enrique Medina, “Niňos de La Tierra” (Burnside Review)
  • Tracy Lynne Oliver, “This Weekend” (Fanzine)
  • Dominica Phetteplace, “After the Flood Waters Came” (Wigleaf)
  • Meghan Phillips, “Abstinence Only” (Passages North)
  • Megan Phillips, “Final Girl Slumber Party” (Barrelhouse)
  • Kristen Ploetz, “LifeColor Indoor Latex Paints® — Whites and Reds (R)” (JMWW)
  • Claire Polders, “Breathlessness” (Moonpark Review)
  • Dina Relles, “And Sometimes We Meet” (Matchbook)
  • Belinda Rimmer, “Domestic” (Anti-Heroin Chic)
  • Nicole Rivas, “Crumbs” (The Cincinnati Review)
  • Becky Robison, “Baby Dolls” (Pank)
  • Brad Rose, “Desert Motel” (Pithead Chapel)
  • Sarah Salway, “Not Sorry” (Cincinnati Review)
  • Kim Samsin, “World’s Finest” (Matchbook)
  • Noa Sivan, “The End of the World” (Synaesthesia Magazine)
  • Rachel Smith, “What I Now Know” (Flash Frontier)
  • Rachel Smith, “Glossectomy” (Menicus)
  • Joe Squance, “The Seeds of Things” (Cease, Cows)
  • Elizabeth Stix, “Tsunami” (Southampton Review)
  • Paul Strohm, “Masculinities” (West Marin Review)
  • Xenia Taiga, “Princesses” (Synaesthesia Magazine)
  • Kaj Tanaka, “The Hair Child” (Bending Genres)
  • Sharon Telfer, “My Father Comforts Me in the Form of Birds” (Reflex Fiction Magazine)
  • Jamie Thunder, “The Central Line Has Severe Delays” (Spelk)
  • Cathy Ulrich, “The Delicate Art of Ikebana” (Barren Magazine)
  • TM Upchurch, “There Will Be No Lace” (Flashback Fiction)
  • Zach VandeZande, “Making an Illegal U Turn on 15th near Union” (Monkeybicycle)
  • Elisabeth Ingram Wallace, “Satin Nightwear for Women Irregular” (Bath Flash Fiction Award)
  • Clare Weze, “Helping” (Reflex Fiction)
  • Charmaine Wilkerson, “The Laundry Room Comes First” (Fiction Southeast)
  • Benjamin Woodard, “Half Tank” (Atticus Review)
  • Luke Wortley, “Reverse Field Trip” (Longleaf)
  • Tara Isabel Zambrano, “Feeding Time” (Okay Donkey)
  • Tara Isabel Zambrano, “New Old” (The Southampton Review)
  • Tara Isabel Zambrano, “Snowstorm” (Atticus Review)
  • C Pam Zhang, “Braindrain” (Paper Darts)

microfiction.com

Short Story Highly Commended in TSS Publishing Competition

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I’m thrilled to share the news that my story, I Wonder about the Gun, has won HIGHLY COMMENDED in The Short Story microfiction competition by TSS Publishing, home to the Cambridge Short Story Prize. Squeals of delight this end. I discovered when I received congratulations from fellow authors on Twitter.

The story hasn’t been published on the site but you can read it by signing up to the mailing list.

Below is the Judge’s Report:

In other news, there is a fabulous new Literary Magazine, Barren Magazine, which has just published it’s third issue. The stories are deep, rich, often painful. In Vain, by Aaron Housholder, Editor’s pic in Essays, is one of the single most powerful stories I have ever read.

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Rock Pools

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‘Look, a starfish, bright orange. Look at it.’ Sophie points to the ripples in the rock pool, her pigtails drop down over her cheeks, cover the freckles that have faded in the sun. ‘Billie, look.’ He is further from her, closer to the shore. He jumps across the rocks, one leg followed by the other, to where she is crouching down, pointing.

The wind stirs up the water. It is difficult to see beneath the surface. He scrunches his eyes almost shut, but not quite. ‘It was there, I promise,’ she insists, but he is unsure, wonders if it was worth the distance. He had been disturbed from scooping up mounds of volcanic sand into a cracked blue bucket that he had found outside the barn this morning. He had wondered if it was there to be used or whether he should have left it alone. There had been lots of old deck chairs lined up against the stone wall, the wood frames held together by sun-bleached fabric a few rips and holes. They had looked as though they were waiting to be used or restored. Nothing looked as though it had been let out for some time and he had decided that the bucket, at least, deserved some time at the beach. There hadn’t been anybody about to ask… Read the rest of the story online in Vending Machine Press