Poetry Publication: A Chink in the Window


A Chink in the Window

Light flickers through a chink in the window. Moths dance
outside in the low evening light, try to find their way inside,
the way children scramble to reach the popcorn. You think
about how people try to find ways out of things and ways in,
and about the constantly changing landscape of life.

Some scramble for the light, leaving at dawn, while others
remain. You wonder who controls the opening and closing
of windows, the turning of the leaves, the inner turmoil that
drives some to make the decisions that they do. You try to
fix them but some things are not fixable, not your

responsibility. Three moths have found their way in
through the chink and are dancing around the table
lamp. You wonder how many more will arrive and how
many will stay. Remaining through troubled times,
staying in the building, that’s the hard part. Some leave

when it gets too hot, others leave because they are
uncomfortable in their own skin. You wait for the moths
to leave near dawn, after they have settled in the warmth,
then close the window and watch the sun appear, feel
its warmth against flesh. And you know that if you travel
lightly, allowing the sand to sift through your fingertips

the right ones will remain in first the morning light.

FC Malby is a contributor to Unthology 8 and Hearing Voices: The Litro Anthology of New Fiction. Her work is forthcoming in the Reflex Press Anthology, Vol. 5. Her poetry has been published in Spillwords Press, Sledgehammer Lit and Unpublishable Zine. Her social media handle is @fcmalby.

Author Interview with Spillwords Press




  1. Where, do you hail from?

I’m from the UK in the South East of England, but I’ve lived abroad and travelled widely. I do a lot of photography and there’s something about the East Anglian skies that draws a lot of artists to the area. ‘Angel of the North’ sculptor, Sir Antony Gormley, has had a studio near Swaffham since 2010. Historically, Thomas Gainsborough, Sir Alfred Munnings, Edward Seago, Lucien Freud and John Constable, to name a few. ‘The Hay Wain’ was painted in the beautiful countryside nearby. Freud was one of the first students at the avant-garde East Anglian School of Painting and Drawing, first in Dedham and then at Benton End. The flat landscape in East Anglia creates vast, expansive skylines, giving way to the most incredible sunrises and sunsets.

  1. What is the greatest thing about the place you call home?

Living by the coast. I love the sea – the sound of the waves, the scent of the salt air, feeling the wind against your skin, walking barefoot along the beach, collecting shells and sea glass. There’s nothing like it. It’s where I feel freest. I also really enjoy water sports, particularly windsurfing and waterskiing. You can live close to rivers and lakes, but it’s not the same. I love Scotland for the same reason, particularly the Hebridean islands on the west coast. There’s something about the wildness of coastlines that draws me.

  1. What turns you on creatively?

I’ve always been inspired by poetry and, more recently, short stories. There is something about these forms that spark so many ideas in my mind. I read a lot of both, and have long been an admirer of poets like Yeats, Keats, Auden and Dickinson. In terms of short stories, my go to authors are William Trevor, Alice Munro, Chekov, Kafka, and Hemingway. My current favourite is a collection by the brilliant Hilary Mantel, The Assassination of Margaret Thatcher. She never wastes a single word. Her writing is tight, thought provoking, at times, shocking, and illustrates everything a new writer needs to learn about the craft. Reading her work can teach you more about writing techniques than any learn-how-to-write handbook ever will. I also read a lot of short stories by Alison Moore and flash fictions by David Gaffney.

  1. What is your favorite word, and can you use it in a poetic sentence?

My favourite word is a German word: Morgenmuffel. It describes someone who struggles to wake up in the mornings and usually avoids early morning conversations. Although I’m not grumpy, as the word implies, I’m not a morning person, at least not until I’ve had a strong coffee, or two. I’ve always been a night owl and find that I wake up as the day goes on. I used to write essays at university in the small hours and I now often write in the evenings, as my days are pretty full. I enjoy that quiet space at the end of a busy day to think and put words to paper, or screen.

  1. What is your pet peeve?

I don’t really have any pet peeves. It takes quite a lot to wind me up. I’m a pretty relaxed and even-tempered person. In terms of writing, though, am a stickler for grammar and punctuation. I’m surprised by how much printed material and journalism includes obvious mistakes. I should probably start proofreading, as I always pick it up.

  1. What defines FC Malby?

My writing is a mixture of literary/historical fiction and psychological thrillers, but I’m also a short story and flash fiction author, as well as a poet. I use imagery and try to create suspense and a sense of anticipation in my work as much as possible. I try to avoid putting people or writing into boxes. Some of the endorsements of my writing might help to sum up my work: “Deeply moving and attuned to the subtleties of human relationships.” Dan Coxon. “Malby’s writing is restrained, understated and elegant.” Maureen Scott.

You can read the interview over at Spillwords Press.