The Milton Keynes Literary Festival moved online this year, with a series of events for their autumn program, which culminated in a wonderful evening of flash fiction readings from David Gaffney and Tania Hershman and a Q&A session of questions from participants. Most, not easy to answer, but, as Tania mentioned, there are no rules. We talked about what flash fiction is, or what it might be, and about permission to leave things out, to be daring.
It was good to see familiar faces, and meet new ones. David Gaffney swept us up into the world of his clever graphic novel, The Three Rooms in Valerie’s Head, which began as a performance, based on several of his micro-fictions, and is the title of one of my favourite stories in his collection, More Sawn-Off Tales. In amongst this brilliant collection of 150 word stories, The Three Rooms in Valerie’s Head describes the men she hides in the cellar. “Sometimes she would bring three of four ex-boyfriends up from the cellar and arrange them into scenes – a trad-jazz band, or a dispute around a pool table – and she would move their jaws and make them speak in scratchy voices.” He draws us into the world of Valerie’s life of inept lovers and weird obsessions.
Thought-provoking lines from Everything’s West Of Something began, mid-action, with a vase flying through the air. “You can discover everything about your girlfriend by tossing a breakable object towards her. Is she poised? Confident in her judgements? Does she seem willing to take responsibility for someone else’s actions? Is she comfortable with spontaneity? What is her attitude to risk, debt, transgression, sin, guilt? How does she experience the passing of time? Does she appear to believe in an afterlife? An interventionist god? Ghosts, fate, predestination?”
All Mod Cons was another wonderful reading, about Jake, who “invented a prescription glass windscreen for his car so that he could drive without wearing his corrective lenses. He enjoyed the feeling of freedom – no plastic pads digging into his nose – and it had the added advantage that car thieves couldn’t drive the vehicle unless they happened to have the same degree of myopia.”
We discovered the way that stories formed as he listened and observed details of every day life, with Potato Smiles evolving from an overheard conversation between a couple, where the woman had inadvertently been looking at the children’s menu, had never heard of potato smiles, and ended up ordering them with her steak! These are the nuggets of information that listeners savour, the moments that fuel and form a story.
He talked about inspiration drawn from Lydia Davis’ writing as a short story author. As he read a 150-word flash fiction piece about Eggborough Power Station, a slide show was projected on to the wall behind. This was a work of art in itself. The stories were varied, and, as always, utterly captivating. You can find David’s books at Salt and elsewhere.
Tania Hershman treated us to readings from her collections, The White Road and Other Stories, My Mother Was an Upright Piano and Some of Us Glow More Than Others, as well as stories from many other places. She has an almost hypnotic style of reading, drawing you into a scene and holding you there, momentarily. Listen to her read a selection of work on SoundCloud. Her writing, often based on Science, is bold, quirky and gives a brutally honest insight into human nature and nature itself. Tania’s Science Journalism background, along with a Writer in Residence year in a lab, feeds into every fibre of her writing. She read two of my favourite stories:
Vegetable Mineral took us into some snappy and insightful dialogue, keeping us hooked to the end. “When you came back with the post, you held the letters out to me as if the red ink would burn through you like acid. ‘Let’s run away,’ I said. ‘Barbados, Brighton, Bermuda, Brooklyn.’ ‘Only B’s?’ you said, and slumped onto the couch. ‘Today is brought to you by the letter B,’ I said. ‘Animal,’ you said. ‘Domesticated?’ I said as I shoved the bills down the back of the armchair.’”
How to be Here, took us on a journey to a riverbank. “Hover, over exactly that spot on the river, half way between the locks and listen. After an hour, century or minute, land on this bank, wait, in long grasses and inhale.” Tania’s stories leave you clasping hold of the final few words, willing them to stay and tell you more. You can find Tania’s books on her page at Bookshop.org.
Sipping from an enviably beautiful cup, Tania answered questions about story length and how to balance narrative with dialogue. She talked about a 800 word story, which took two and a half years to write, and when asked about story length, we learned that David has been asked by editors to expand his work at times, whereas Tania often cuts down her writing, culling the words and reforming a story. Both talked about the feel and shape of a story, and felt that no two writers work the same way, and no two stories are created by any specific process. She discussed her hybrid writing, the freedom of form, and the idea of losing labels. We talked about the importance of permission to be freer with what you write, to take risks.
I have, by no means, covered all the stories we heard, but I hope this gives a flavour of the evening. A recording of the session will be available on YouTube within the next few weeks and I’ll add a link here for you to watch. Thank you to the Milton Keynes Literary festival for organising this event, and to Dave Wakely for chairing. Next time, we’ll all bring cake!
