Today’s guest post is written by author Carys Bray, winner of Salt Publishing’s 2012 Scott Prize. Thank you, Carys. I am really enjoying the complexity of these short stories which are honest and gritty accounts of family life, bound up in a collection which leaves its mark long after the pages stop turning. Highly recommended. Carys also had a recent piece of short fiction published in Literary Magazine, Litro. My Brother is Missing is an emotionally charged story and just as gripping as her collection.

I gate-crashed an undergraduate seminar a couple of weeks ago in order to listen to guest speaker, Chris Beckett. Chris’ collection The Turing Test won the 2009 Edge Hill Short Story Prize and his novel Dark Eden was the Sunday Times SF novel of the year. During the seminar Chris talked about the way he approaches short stories by combining seemingly disparate elements in order to make his fiction three-dimensional. I once heard short story writer Adam Marek say something similar – I can’t quote him exactly, but he talked about how he often takes something fantastic and combines it with something ordinary.

I don’t believe there’s a ‘recipe’ for writing successful short stories, but I suspect Chris Beckett and Adam Marek are on to something when they talk about the way they mix their ingredients: short stories need depth and many of my favourite stories blend the mundane with the magic of the impossible.

Adam Marek’s story ‘Tamagotchi’ is about a father whose son’s Tamagotchi has AIDS. On the surface, the story is about an impossible thing – a terminally ill toy, but it’s really about a father’s relationship with his son and the fundamental helplessness of parents. The father in the story can’t fix the Tamagotchi and he can’t ‘fix’ his son’s developmental issues. There is clearly a connection between the Tamagotchi’s illness and the son’s development – the metaphor may sound laboured as I attempt to dissect it, but it isn’t. The story is touching and funny, a beautiful exploration of a father’s need to make everything right.

Chris Beckett’s story ‘Piccadilly Circus’ is about an elderly woman who is both fascinated and repulsed by new technology. Clarissa is an Outsider in the Urban Consensual Field, a virtual city constructed in the image of London as it was when it ‘still seemed feasible for millions of physical human beings to casually consume what they wanted of the world’s resources.’ As one of the few physical people left, Clarissa can view the consensual world via an implanted switch. Old and frail, she embarks on a journey through the ruins of London to see the lights of Piccadilly Circus as it was in her childhood. It’s a wonderfully clever story set in an extraordinary world. Beckett addresses aging, our perception of reality and whether something is real if it can be turned on and off with the flick of a switch.

I think there’s something wonderful about these impossible stories. At first glance they’re entertaining, but they’re also illuminating; the blend of the familiar and the impracticable can challenge a reader’s perspective and assumptions.

When I started writing short stories I had tremendous fun creating improbable scenarios; supermarkets where children are bought, a baby carved out of ice, and an old lady constructing a gingerbread house. But in each case I suppose I was also writing, or at least thinking, about something else; the commodification of children and childhood, infertility, and the way outsiders are treated.

I’ve been working on a novel for some time now, but earlier this week I spent a day editing a short story I began last summer. It was lovely to handle something small again, to attempt to blend seemingly disparate ideas into a coherent whole. Tobias Wolff said, ‘There’s a joy in writing short stories, a wonderful sense of reward when you pull certain things off.’ I agree, and I think that same joy can be experienced when reading short stories, particularly the kind of stories that illuminate the everyday with a little bit of impossible magic.

Adam Marek’s story ‘Tamagotchi’ is found in his new collection The Stone Thrower, published by Comma Press.

Chris Beckett’s story ‘Piccadilly Circus’ is found in his collection The Turing Test published by Elastic Press.

Adam Marek’s story ‘Remember the Bride Who Got Stung’ is available to read at Thresholds, the international short story forum.

Read about Chris Beckett’s Dark Eden in the Guardian.

 Carys Bray’s short stories have been published in a variety of literary magazines. She currently teaches at Edge Hill University and is a co-editor at Paraxis. She is working on a PhD and a novel.