National Flash Fiction Day 2026 Anthology

I’m thrilled to share the National Flash Fiction Day 2026 Anthology with you, and introduce the title and cover of NFFDs latest anthology, Mudlarking: National Flash Fiction Day Anthology 2026 My story, Lotus, will be published alongside some wonderful short fiction authors. The launch date is on 13 June 2026, and you can pre-order a copy here. Mudlarking can be pre-ordered worldwide, and will be available as an eBook on Amazon UK and US soon.

I will be giving a reading of Lotus at the online launch on 13th June at 7:30pm, so keep an eye on the NFFD website for more information. The collection is edited by Karen Jones and Sharon Telfer. Joanna Campbell created the art work for the cover design; her watercolour was inspired by Mudlarking, a story in the collection by Rachel Dunlop.

The Power of Character-Driven Stories

One of the questions I’m most frequently asked as a writer is, ‘do you focus on plot or character?’ I predominantly write thrillers, so character is particularly important and often drives the story line (the plot). Jana in Take Me to the Castle and Leisl in Dead Drop are strong female protagonists. Their thoughts, lives and actions drive the plot.

It works well for short stories, particularly given the brevity of the craft and the constraints of needing to hook a reader quickly, drawing them into a story. When the reader is engaged with the character, they are more likely to engage with the story and understand the motives driving the character’s decisions and actions.

When a reader knows what a character has experienced and understands their weaknesses and specific character traits, the story makes more sense and the reader wants to go on the journey with them.

Who your characters are is much more intriguing than what they do in a character driven story. We don’t engage with perfection as readers, we engage with vulnerability. Vulnerability leads to trust and connection.

It works with fictional characters in the same way as in real life. The writer’s job is to make the reader care, and the most effective way to do this is to highlight a character’s fears, vulnerabilities, and internal conflicts. I’ve written more about this in other posts on plot writing here and here, as well as on the narrative arc.

Examples of character driven stories…

Of Mice and Men

Crime and Punishment

Brooklyn

A Man Called Ove

Eleanor Oliphant is Completely Fine

Two forthcoming Book Releases in 2024

I have some exciting news! There are two new books being released this year, both include my short stories. As an author, it’s such an amazing feeling when your work is about to be released into the hands of readers around the world. I love hearing reader feedback and discovering what resonates with individuals.

Since the release of my first novel in 2012, I have had a second novel published, a short story anthology (soon-to-be two) and work published in three anthologies (soon-to-be four) I have also had many stories and poems published in literary journals worldwide and some competition winners. I was asked to read for a writing competition for a journal and have given readings and led writing workshops. It never gets odd. I still love writing and engaging with readers.

The first book is my second collection of short stories, A Place of Unfinished Sentences.

The sentences we leave unfinished, questions surrounding sudden loss, a decision on a train. This second collection covers themes of relationships and memory, exploring what happens when memory fails. It looks at beginnings and endings, weaving through themes of generations, family, uncertainty, and what happens when experiences change us.

“F C Malby’s stories capture characters teetering on the edge of precipices in their lives, sometimes literal, sometimes metaphorical, as they decide whether or not to take a leap of faith into the unknown. These intense, beautifully realised and ice-sharp stories momentarily suspend us over an Everestian abyss.” Jonathan P Taylor, author and Senior Lecturer in Creative Writing, University of Leicester

The second book that I want to share with you will be published by Pens of the Earth, who are launching a collection of stories, poems and environmental articles on 21st October 2024. My short story, Prolific, will be in with many others with all profits from book sales going to the Solent Seagrass Restoration Project.

Where do you find your ideas? Short Story and Flash Fiction Inspiration

As an author, the question I get asked most often is, Where do you find your ideas? It’s a notoriously difficult question to answer and most authors struggle to voice, or even to know, where they find their ideas. But, I’m going to give it a try! The short answer is that it comes from the strangest of places, and I need to begin with the adage that everyone is different.

Where do you find your ideas?

The most important important advice I could give any aspiring author is, be an observer. Watch people, observe their movements, eye contact, body language, look at what they don’t say. Only 7% of communication is verbal, in other words through what people say, which means that a whopping 93% of communication is nonverbal – body language, gestures, tone of voice, facial expressions, body posture. A person’s body language is a part of communication and reflects emotions and moods.

Be an observer.

Dreams are often where ideas form, especially in those liminal spaces between the states of being awake and asleep. New neuroscience research from the Paris Brain Institute shows that the phase before we fully fall asleep is hugely creative for our brains. American Inventor, Thomas Edison, used partial naps while holding spheres in his hands to harness his inspiration. The spheres would fall as he fell asleep and wake him at the right time to capture his sleep-inspired ideas. Physicist Albert Einstein and artist Salvador Dali also believed in short bursts of sleep to boost creativity. The experiment, which is reported in the Science Advances article, Sleep onset is a creative sweet spot. Although sleep is often seen as a waste of time and productivity, it is actually essential to our creative performance.

The phase before we fall asleep is hugely creative for our brains.

Imagine that you are taking a photograph of a moment, a snap shot in time. I often walk or drive past a scene, usually of two or more people talking, sometimes a lone person doing something interesting or curious, and I wonder what they might be saying or thinking, and how they might be feeling. Authors are endlessly curious and out of this curiosity often comes new ideas for stories. Imagine taking a photograph of the scene. What would you be wanting to know as a viewer? Who are these people? Where are they from? What are they doing? What is the emotion underlying the event? Could something else be happening?

Imagine that you are taking a photograph of a moment.

Use a prompt – an image, a poem or news article. What ideas does this conjure up in your imagination? Is there big news event with an image of a person or a story about them? Can you find an offshoot from this? Let’s have a go….this is an image from a BBC news article on inflation. There is a woman holding a pizza in a supermarket. What is she thinking (inflation aside!)? What else might be going on in her life? Does she live alone or with a family or a partner? What does her body language convey? Is this a local shop or is she passing through, or escaping something? So many ideas can come from just one image that are entirely unrelated to the image or event. Sometimes a visual cue helps.

Sometimes a visual cue helps.

Have you had an interview or an interesting conversation or event recently? Was there a person who stood out or a part of the dialogue that stayed with you? This is fiction, so the details will need to be changed, but what can you extract from what was said? Did it make you think of something else? Sometimes writing down ideas in a journal can help when you sit down to write. I sometimes do this, although the best ideas tend to stay in your mind.

Be curious.

Photo credit: Shutterstock & BBC News.

Five Minute Literary Magazine – Forthcoming Publication

Five Minutes features micro-memoirs, hundred-word pieces about five minutes in a life. I’m thrilled to share the wonderful news that my short story, ‘Cellophane Wrapped,’ about the controversy and conscience around eating meat, has been accepted by Five Minute Lit and will be published in February 2024.

Reading team comments included “kept me thinking after” and “witty, relevant, well-written.”

They have also invited me to be an editorial reader for future submissions in 2024. I will share the publication once it is published at Five Minute Lit. You can read some of their micro stories online and read Karen Zey’s useful article, The Art and Craft of Writing Micro.