The woman sitting opposite me looks like the guy I used to date. Her face is angular, her eyes fixed to the page of a book I cannot see. I wonder why she reminds me of him, and whether her features are particularly masculine, or his more feminine; maybe both. The door clunks back into the frame of the train’s carriage. A thud as it stops makes me jump and a man with a trolley walks through and scans the seats.
“Tea? Coffee?” he asks, glancing at the ex-boyfriend lookalike.
“Neither,” she says, her eyes remaining fixed on the pages in her hands.
He looks at me. “Coffee, black, no sugar,” I say, without waiting to be asked. He lowers his shoulders, exhaling slowly as he pours me a cup from a large metal coffee pot. Steam rises from the spout, the scent of it licking at my nostrils. Saliva fills my mouth in anticipation….continued at Lunate.co.uk
And, in case you missed this one, Do You See Me Coming, was also published in July at the new Burnt Breakfast Magazine.
Do You See Me Coming?
Do you see me coming, when the days are short and the nights feverish, when the family gathers round, wondering whether to call the doctor or let you slip away, peacefully. Do you see me coming when the flicker of evening light reminds you that your ancestors are beckoning you home. You think about your childhood and remember days where you came inside, covered in dirt and Mother shooed you away with a flap of a hand, and the smell of creosote where Father had painted the fence. You loved the smell but you weren’t supposed to. It was toxic, you were told, but you also loved the hot scent of tarmac. You always liked the things that you weren’t supposed to. You remember the way the swallows came in to nest then left, like Father, when I had come to him, too. He saw me coming. The rest of you only saw me leave, taking him with me …. continued at Burnt Breakfast
I hope everyone has survived lockdown. We are not out of the woods yet, but it’s good to have a little more contact with the outside world. I have had a recent flurry of writing and four short story acceptances this week! Stories forthcoming in Burnt Breakfast Magazine (July 2020), Fully Lit Magazine (July 2020), Lunate Fiction (August 2020)
I had a lovely acceptance letter from all of the above journals, but wanted to share the words from Lunate Fiction about my story, A Place of Unfinished Sentences:
“It is a rich and complex story, once that requires focus and attention from a reader in order to bring out the full story, and even then, as the title suggests, we are not given all the pieces of the puzzle! Your use of narrative voice is exceptional in this piece, as is your careful use of minor detail which draws the reader’s attention and acts almost as a smoke-screen for the wider picture. It is a remarkable flash fiction.”
And in other news, my story, Someone Once Told Me That Delia Is Outdated, was published by Reflex Fiction, May 2020. You can read an extract below and follow the link to read the complete story at Reflex Press.
When paranoia sets in, I mentally search for the fire escape. Is it in the hallway? Is it on the second floor? What if I feel the urge to jump from the balcony? A short man with a balding head walks past me and winks. He is holding a book on golf. My stomach turns. I am in the self-help section, looking for something that might fix my mind, but it is not there. There is no book that can erase memories. Maybe the cookery section might help, something from Jamie Oliver or Mary Berry. Someone once told me that Delia is outdated. I have acquired lots of books on how to bake cupcakes and muffins, which I would happily make all day, but sometimes you need to get into the meaty stuff, the grit of life….read more at Reflex Press.
Ellipsis Zine is an online and print literary magazine for beautifully written fiction & creative nonfiction.
How and why did you begin Ellipsis Zine, and how long has it been running?
I set up Ellipsis Zine in June 2017 and initially wanted to create an online space for flash fiction I liked to read. I hadn’t been writing flash very long and thought that a website with a mixture of work I enjoyed reading would help improve my own writing, while also offering a new space for writers to submit to. I wasn’t sure how well that was going to be received but pretty soon I was swamped with great submissions. Following on from the wave of excitement during the first month, I took the plunge and opened a call for work to be published in print and I was completely overwhelmed with the response.
What have you learned from your experience as Founding Editor?
It’s all subjective. I’ve declined work that has almost immediately been snapped up by other publications and reading them again, it was clear I was wrong to pass on them. There can also be any number of factors for a piece being declined, it’s not always because the piece isn’t ready. The magazine may not be the right fit. Timing can also be important – and not always something that a submittor can do anything about. If a piece submitted deals with the break up of a relationship, for example, I would generally pass on it if I’ve published a similar piece recently.
What do you do with your time outside working on the Zine?
I work in a marketing department, with a background in design, and so the setting up of the magazine and print zines has been a fairly smooth process.
The editorial team has expanded. Can you tell me who is on the team and how or why they were chosen?
I have a great team of flash writers helping me behind the scenes. Stephanie Hutton, Amelia Sachs, Richard De Nooy, Helen Rye, Jennifer Harvey and Christina Dalcher. It was Richard who first suggested putting together a team, to help strengthen the website and have a team to help compile the zines, and as a sounding board for ideas and advice. Working in a bubble can be difficult at times, so having a team of writers to work with has been invaluable.
What are you looking for in a piece that you hope to publish?
We want to publish stories that make us forget where we are, stories that introduce us to people, places and things we’ve never seen before and stories that stick with us long after we leave them. In the same way a great song, novel or film, hangs around with the audience. We want a great piece of flash to be something that will be read again and again, and something that will linger.
Can you tell us about the process from submission to publication in the online and print zines?
With print online submissions, I try to get back to everyone within seven days. If selected, I may put forward minor edit suggestions and then provide a date for publication. This is usually scheduled around a month or so later, depending on the time of year. With the print publications, the time between submission and selection is a little longer. With the last few zines, I’ve had one or more of the editorial board compile the list of published work for me. Again, once chosen, we ask for minor edits to the work. Once the zine is compiled, I will send page proofs to all writers, to ensure I’ve copied everything over correctly. At this point, writers have the opportunity to make any last minute changes. This is usually a week or two before publication.
Do you have any advice for authors sending you submissions?
That’s a tough question, because I tend to want to publish a wide mix of work, but it is important to note that it is all subjective. I’ve published sci-fi, horror and humour and I do notice trends with submissions. I sometimes get a batch of work that hasn’t made the longlist/shortlist of a competition, because they are all on the same theme. I’ve also noticed that I can receive a large amount of work based on death, relationship breakdown, dementia etc. I have written pieces on these subjects myself, and although, individually they are brilliantly written, when I receive a lot of them, they can lose their impact. I’d suggest that anyone who approaches these subjects to think a little differently. This will help set the work apart from others.
Can you tell us a little about the expansion into areas such as the Novella-in-Flash, collections, and zines celebrating LGBTQ writers?
Much like everything with Ellipsis, the expansion into publishing Novella-in-Flash and collections stemmed from wanting to try something new. Stephanie Hutton’s novella was a huge success, selling much more than any of the other zines and so it was natural to try and replicate that success. Talking with Stephanie about an open call, she put forward the idea of publishing an author who wasn’t as established – hence, the call for a debut flash collection from an unpublished author. This desire to give underrepresented voices a platform, naturally, influenced the decision to publish a zine that celebrated LGBTQ writers and their work.
What are your plans for Ellipsis for the coming year?
We have an extremely busy year ahead. There are a few flash events, which I will be attending in the Summer: National Flash Fiction Day, June 15th, has just been confirmed, and a publication launch. Our Love | Pride zine, celebrating LGBTQ writers and their work, is released at the end of February, along with a flash fiction collection in April/May. The Summer zine publication will be collection by a single author. Later in the year we’ll have a call for submissions for another zine and a micro-fiction competition. There are ongoing website submissions and, at some point, I may need to have a lie down.
You have recently had some of your own work published. Can you tell us about your own writing?
I’m still finding my feet with my own writing, but running Ellipsis has been extremely helpful. I have read some amazing work and this has enabled me to see what does/doesn’t work with a piece of flash. I began to write my own novella-in-flash, which was sidelined to write a novel, which was then sidelined to write another novel. At some point in the next few years I’m sure one of these projects may be finished.
What are your top five literary journals or magazines?
I love the work in Flashback Fiction. There is the added bonus of hearing the pieces being read by the authors. Popshot Magazine is also a favourite. I’m a sucker for a printed publication, and this is beautifully put together. I also regularly read MoonPark Review, TSS Publishing and Reflex Fiction, but this list is not exhaustive because there are so many great publications out there. I’ve compiled a list of some of my favourite publications on the Ellipsis website here: ellipsiszine.com/literary-magazines/
Ellipsis is managed by Steve Campbell and has the support of an editorial board of international flash fiction writers and published authors. View their biographies here: Editorial Board.
Short stories are the heartbeat of many writers. I intersperse writing short stories with writing and editing novels. My second novel is now complete and edited. Below is a list of my recent publications and some links to other stories I have enjoyed reading.
I’m thrilled to share the news that my story, I Wonder about the Gun, has won HIGHLY COMMENDED in The Short Story microfiction competition by TSS Publishing, home to the Cambridge Short Story Prize. Squeals of delight this end. I discovered when I received congratulations from fellow authors on Twitter.
The story hasn’t been published on the site but you can read it by signing up to the mailing list.
Below is the Judge’s Report:
In other news, there is a fabulous new Literary Magazine, Barren Magazine, which has just published it’s third issue. The stories are deep, rich, often painful. In Vain, by Aaron Housholder, Editor’s pic in Essays, is one of the single most powerful stories I have ever read.
F C MALBY 
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