The cover for my second novel, Dead Drop, has just been released by Linen Press.
This fast-paced, intelligent thriller exposes the undercover world of art heists and takes us on a journey through Vienna’s galleries and museums until skilled art thief, Leisl, comes up against a truth that makes her question everything she knows.
You previously worked for the NHS, what did it take for you to move into the arena of writing, and can you tell us about your journey?
It was a long-ish process of realising that I would never be truly fulfilled while my writing was taking second place to my NHS career. As I got more senior in my post in a children’s hearing service in South East London, I found I had less time at the end of the working day, and more importantly, less energy for my writing. It was making me miserable, as I’d always wanted to write and publish novels and that dream was slipping further away. So I decided to go part time in a more junior job and use the rest of the time to write. I told myself I’d give it a couple of years of really throwing my energy into writing and then assess how it was going. Not long after that, I enrolled on a creative writing course at the Faber Academy, and started work on the book that would become Before I Go to Sleep.
Your debut novel, Before I Go to Sleep, was turned into a film staring Nicole Kidman and Colin Firth, how closely did it remain to the storyline of the novel, and how much input did you have in the script?
I had no input, directly, but I had a good working relationship with Rowan Joffe who wrote and directed it, and also Liza Marshall who was the producer. So they ran ideas past me and checked I was happy with what they were doing, which was great, and in almost all cases I was. It was like having the best of both worlds – creative input without responsibility! But for the main part I let them get on with realising their vision – I see the movie as being like a cover version of a song. It’s a different piece of work, Rowan’s job was to take something that worked as a 350 page book and make it work as a 90 minute film. So, while it doesn’t incorporate every element of the book, and some things have been changed to make it more filmic, it’s very much true to the story.
Do you have a writing routine and what is your workspace like?
I try to do my creative work in the mornings, with afternoons left for admin and ‘life maintenance’ tasks, though if my writing is going well I’ll find it bleeds into the afternoon. I don’t work well with rigid boundaries, I prefer having a vague plan for the day. It depends on what I’m working on, too, and what stage I’m in. When I’m drafting I aim to write at least 1000 words, at least five days a week. Sometimes it’s much more, when it’s going well, but when it’s not I’ve learned not to force it. It’s important to trust what the work is telling you. When I’m editing I can get through a lot more in a day, though much of that is cutting and rewriting. I’ll often do that in the evenings, when I seem to have more of a critical head on.
My workspace is messy. There are books, notebooks, post-its, pens, ink, receipts, bills, plus of course my laptop and keyboard and so on. I’d like to be someone who keeps it tidy, or who refreshes it at the end of the day, but I’m… not. And I’ve accepted that, now.
Do you plan the structure of a novel, and do you begin with the plot or the characters?
I’m getting to be more of a planner with each novel. Before I Go to Sleep was very much ‘dive in and see where I end up’, whereas Final Cut, my new book, was planned fairly meticulously. I like to leave some room for the book’s own alchemy to take hold though, space for the unforeseen bit of magic. I usually begin with an idea, an area I want to work in or explore, and from there I think, ‘what could happen?’ and also, ‘what kind of person would that thing happen to?’ So, I suppose I’m thinking of the two things in parallel. A book can’t really happen for me until the characters are up and walking and talking, though, so that becomes the main thing.
What can you tell us about your forthcoming third novel, Final Cut, and the inspiration behind the story?
Final Cut I was inspired by several different things. I’d been thinking about voyeurism and filmmaking, and I started to become fascinated by documentaries, particularly those dealing with ‘ordinary life’, and reality TV. I was thinking about the everyday moments, dramatic and otherwise, which make up a life. Alongside that, I’ve long been interested in the modern-day urge to document, to record and share everything, almost as if otherwise it doesn’t seem real. When I was growing up I took 24 or 36 photos a year, on my annual holiday, now some people get through that many a day. These ideas coalesced into a narrative about an ordinary town in which dark secrets were hiding under the surface, which would be brought to light as a documentary filmmaker examined the village.
So this was the surface, but underneath my subconscious was also working away, and when I came to write the book I realised that my main character, Alex, was someone who once again only had a partial understanding of who she was. So, like Before I Go to Sleep, I was once again looking at the realm of memory and identity, albeit through a different lens and in a very different story.
Can you share something about the book, or about you, that readers won’t know?
I scrapped an entire book before writing Final Cut. I liked it, and loved the characters, but in the end decided it just wasn’t good enough.
Which book has had the greatest impact on your life, and why?
That’s sort of easy, and sort of impossible. Before I Go to Sleep changed my life completely, in almost every imaginable way. But I suspect you mean a book written by someone else! It’s so hard to choose one, but I’d probably say either The Lord of the Rings, which I read as a child and which first made me want to write, or The Handmaid’s Tale. The latter isn’t even my favourite Atwood novel, but it’s the book that, when I read it about fifteen years ago, made me realise I needed to revisit that childhood ambition and take it seriously.
What advice would you give to writers wanting to get a book published, and what do you enjoy most about the publication process?
I’d say, concentrate on writing the best book you can. When I speak to groups of aspiring writers I always ask why they think most books aren’t published. Too often they say it’s because the writer hasn’t got a big enough social media profile, or they’re not famous in a different field, or whatever. The truth is, the books that most people write aren’t good enough. So an aspiring writer needs to concentrate less of their energy on ‘getting published’ and more on being the best writer they can be. Once their book is unassailably good, then is the time to start to think about getting it into the hands of readers, or agents, or whatever. That bit is relatively easy, believe it or not. Agents are looking for books to represent just as much as writers are looking for agents. The tricky thing is that the books have to be amazing.
There are lots of really special moments along the way in the publishing process – seeing the book typeset for the first time, seeing the jacket the designer has come up with, when it first appears on your doormat in physical form. But I think I love meeting readers the most. It’s always lovely to hear how people have connected with the work. It’s going to be very different this time round, with most festivals having to be online. I shall miss it.
With photography as an interest outside writing, and an Instagram page of creative photography, does this link with or inspire your writing?
Very much so. When I’ve been writing intensively I’ll go out and take some street photographs, and when I’ve done that for a few hours I return to my desk energised. Each seems to feed the other. One is physical, one sedentary, and both require intense observation, but also I think it’s because they’re almost exact opposites. In writing fiction I’m trying to take a narrative and from it create images in someone’s head, whereas in photography I’m trying to weave a story out of a still picture. So each compliments the other – they’re ultimately both narrative arts. Or maybe I just love both because I’m incredibly nosy.
S J WATSON’s first novel, Before I Go To Sleep, became a phenomenal international success and has now sold over 6,000,000 copies worldwide. It won the Crime Writers’ Association Award for Best Debut Novel and the Galaxy National Book Award for Crime Thriller of the Year and has been translated into more than 40 languages. The film of the book, starring Nicole Kidman, Colin Firth and Mark Strong, and directed by Rowan Joffe, was released in September 2014. S J Watson’s second novel, Second Life, a psychological thriller, was published to acclaim in 2015, and his forthcoming novel, Final Cut, will be published in August 2020.
It’s not always easy to find books that you will enjoy, and very often I have set a book aside to come back to or have left it all together, and not without a sense of guilt. How do you find the books that you will really enjoy?
I enjoy browsing through bookshops, second hand and new, and finding an author whose work I haven’t yet delved into. I generally go by the blurb and the first few pages. The cover less so; I have learned over the years that the cover will not always give me an idea of what to expect. Some of the covers that have been less appealing to me have been those of books which I really enjoyed, and vise versa. The old cliché rings true for me with books as well as for all of the other implied judgements we make!
I do look at Amazon’s recommendations, although they sometimes recommend my own work! I look at the emails they send and the recommendations on the site itself. They often give an accurate representation of my tastes.
I really appreciate recommendations from friends and other authors and will try both established authors and debut novelists. Don’t forget that every author was new to the craft at some point. We often cling to the authors we know and love but can miss some fantastic books if we don’t branch out. I have learned who to trust as far as book recommendations go and it has certainly expanded my horizon. Reading widely is important: push the boundaries and try a new genre, read something you ‘would never read’.
I read a lot of book blogs and there are a selection at the end of a previous post on blogging. Book bloggers are a fantastic way of finding new books and getting an overview of new releases, and sometimes classics I’ve missed. Their summaries are often more helpful to me than the reviews on various books sites.
Literary Prizes flag authors who I might not otherwise have found, this includes short story awards as I particularly enjoy reading short stories and collections. There are many book prizes, but if you find the ones that suit your tastes you can find some wonderful books.
I often find books on Pinterest, which I pin for later and I can go back to the list on my to-be-read board later and take a closer look to see if it is something I want to buy and read. It’s a great way of seeing the covers in a larger format and reading reviews.
Libraries are a good way of finding books, especially out of print editions. Having a library card is also a fantastic way of encouraging children to read.
Finally, bestseller lists. I left this until last because I don’t always love the bestsellers, and people’s tastes vary, but going to the bestseller shelves in bookshops and looking on-line will give you an idea of what’s popular. Moods and genres shift, and there is a wave of psychological thrillers. I have found some great books this way. Amazon has a list of kindle bestsellers. I have linked the fiction page, but you can find almost anything. I you are looking for a particular genre within fiction, the links are on their sidebar. Most of you are familiar with this but it’s worth a reminder.
What have you discovered that surprised you? Any recommendations?