
You can now listen to some of my stories, poems and novel extracts on SoundCloud.
I hope you enjoy these. I will be adding to the collection over time.

You can now listen to some of my stories, poems and novel extracts on SoundCloud.
I hope you enjoy these. I will be adding to the collection over time.
I will be reading one of my short stories at an online performance of positive stories and poems celebrating local and national environmental initiatives with Pens of the Earth next Wednesday 22nd, 7-9pm. Sign up at eventbrite
Pens of the Earth and spoken word troupe T’Articulation invite you to an online evening, via Zoom, of prose and poetry inspired by environmental initiatives. Come and hear writers perform work written in response to our various themes including fresh pieces written for our 2021 Small Differences Add Up theme. (Submission window closes 30th September.)
These stories and poems celebrate local environmentalism – bringing a message of hope and empowerment through imagined encounters, actions, events, and settings; increasing awareness of our surroundings, our connections, and our ability to effect change.
We are also delighted to welcome Jenni Jones, Sustrans Liveable Cities & Towns Officer for Portsmouth, as our guest speaker. ‘School Streets are coming to Portsmouth!‘ She’ll tell you more…
Tickets to this event are free. However contributions to our Wilder Portsmouth fundraiser are greatly appreciated: donations will help seed change in the city, benefiting both people and wildlife.
The Zoom link will be emailed out to you the day before the performance. Please contact the organiser if you don’t receive it.

All the writers I read and digested inspired me to write. I was a voracious reader as a child. I started writing when I was in middle school. Some of those stories were written for competitions held at school and some stayed on the pages of my notebooks. I’ve loved books ever since I can remember. Reading stories was such a pleasure and a fascinating voyage of discovery—of other lives and worlds—and I couldn’t resist the temptation of trying my hand at writing them. I was enthralled as a reader and I wanted to see if I could write stories to recreate that immersive and magical experience for my readers.
Every place I’ve lived in or visited shapes my writing in particular ways. The energy of a place—inspiring, soothing, manic or comatose—rubs off on me. The essence of a place stays in my heart long after I say goodbye. The people I meet and the stories they tell, the sights, sounds, skies, and hidden histories of a place all spark my fiction. Travel is inextricably linked to my process. New places jumpstart my imagination. The memories they gift me are fertile ground for stories to germinate.
I tend to write short stories and flash fiction in a fluid way. I have a basic idea of the flow of the story, but it’s not strictly structured before I begin. Whereas with my novel, which I’m currently working on, I found that I had to create a solid structure before I started.
Get your story into the best shape possible. Rewrite, refine, edit and polish vigorously before you submit. Keep at it inspite of rejections. Appreciate the feedback editors give you and incorporate it into your work. Acceptances will eventually come your way.
Writing competitions come with strict deadlines and they force me to sit down at my desk and finish a story on time. Competitions make me a more disciplined writer in this sense. Winning a competition makes me feel my hard work is being appreciated. That’s a wonderful boost for a writer. It gives you reason to believe in yourself and your art and to carry on writing in a world which is largely indifferent to creative endeavours.
I didn’t start out with a collection in mind. The stories were written one at a time. The title story was published in the Santa Fe Writers’ Project Journal. My eternal gratitude to the editors for that acceptance! Then, a few more of my stories got published in literary journals and magazines, and that gave me the confidence to consider putting together a collection. Once I had enough stories, the hunt for an agent started. It was not easy. Some agents loved my writing, but they were running scared of taking on short stories. It took a lot of effort and patience to find an agent who believed in the collection’s possibilities. She sent it out to several publishers and I was thrilled when HarperCollins said yes to it.
It’s a long list. To name a few: Chekhov, O. Henry, TC Boyle, Anita Desai, Lucia Berlin, Anne Enright, EL Doctorow, Akil Kumarasamy, Chimamanda Adichie, KJ Orr, Deborah Eisenberg.
Telling detail, tension, humour, nuance, startling imagery, and the ability to make a word resonate in different registers at the same time.
I am currently devoting all my time to working on my novel, though it’s a tough challenge to resist the call of my very attractive to-read pile. The last book I read and was bowled over by was The Friend by Sigrid Nunez, an incredibly perceptive and well-written novel about friendship, loyalty, loss, and grief. My desert island pick would be Michael Ondaatje’s The English Patient. The copy I own is falling apart because I’ve re-read it so many times. This novel surprises me every time I read it. It is so lyrical, insightful, wise, and immense in scope—I’d be delighted to be marooned on an island with it.

Vineetha Mokkil is the author of the short story collection, A Happy Place and other stories (HarperCollins), which was listed as one of the Ten Best Works of Fiction by The Telegraph. She was shortlisted for the Bath Flash Award June 2018, shortlisted for the Desi Writers Lounge Short Story Contest 2018, and is the winner of the New Asian Writing Short Story Competition 2018. She was a nominee for Best Small Fictions 2019. Her fiction has appeared in Barren, Cosmonauts Avenue, Fictive Dream, The Best Asian Short Stories 2018 (Kitaab, Singapore), Gravel, Jellyfish Review, Quarterly Literary Review Singapore and chosen for the Longform fiction pick-of-the-week.
You can find Vineetha on Twitter @VineethaMokkil and her books on her Amazon author page
Stories published in online journals
Short stories are the heartbeat of many writers. I intersperse writing short stories with writing and editing novels. My second novel is now complete and edited. Below is a list of my recent publications and some links to other stories I have enjoyed reading.
Is He?, Mojave Heart Journal, February 2019
Lavender, Synaeresis Issue 5, January 2019
You Listen to the Sound of Gulls, EllipsisZine, December 2018
Your House is too Small, Spillwords, November 2018

I Eat the Flowers on Your Grave by Barbara Lovric, Anti-Heroin Chic
Bullseye by Meg Pogkrass, Fictive Dream
Sanctus Spiritus, 1512 by Sarah Arantza Amador, Cheap Pop Lit
Against the Grain by Tara Isabel Zambrano, Wigleaf
The Mightiest Mammal, Singing by Kate Finegan, Pigeonholes
Senna by Steve Campbell, FlashBack Fiction
Screaming Story by Deve Murphy, Jellyfish Review
In November 2017 by S.L. Bailey, SmokeLong Quarterly
And if you’d like to read more….
The time has come to release my debut short story collection, My Brother Was a Kangaroo. This has been a few years in the making, with many of the stories having been published in literary journals and magazines. Some have won prizes and three are forthcoming in paperback anthologies with Kingston University Press, Unthank Books and Flash Flood Journal. The collection is available in paperback and as an ebook.
Here is a taster….
‘The stories will resonate with you long after finishing’ Avril Joy, Costa Short Story Award winner
From a boy searching for his parents in a North African souk to the marketplaces of India; from the hospital bed of a writer who has inexplicably lost his memory to a small girl who gives stones to a man on a park bench; and from Freud’s couch in Vienna to the mythical sirens, this collection will stir your senses and take you on a journey around the globe. It explores the intricacies of human nature and the complex ways in which people respond to pressure, change and loss.
‘F.C. Malby is one of those writers who makes you sit up and pay attention. She’s a natural storyteller, a gifted wordsmith, and fearless in taking her imagination to the dark side when the story requires it.’Dan Coxon, fiction editor, Litro Magazine
‘Malby’s writing is restrained, understated and elegant. Her shorter fiction pieces are stunning, creating a sense of beauty and poignancy in just a few hundred words.’Maureen Scott, CEO, Ether Books
‘Deeply moving and attuned to the subtleties of human relationships, F.C. Malby’s stories make us realise we’re only one step away from a completely different world.’ Ashley Stokes, editorial director and short fiction editor, Unthank Books
I hope you enjoy the stories and I look forward to hearing from you. Do share this with friends and fellow short story lovers.
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