Unlocking Creativity: The Power of Daily Writing

I often get asked by new and aspiring writers how to begin and where to find ideas. The first thing I want to say is that no two writers are the same, nor do they work the in same way. The next, and probably the most important thing I would say, is that consistency is key. The more regularly you write, and the more often, the better you will become.

“No two writers are the same…consistency is key.”

Nothing is wasted. Even if there are days where you write paragraphs that won’t be read or printed, you will still learn from the process. It’s like muscle memory, but for the brain. Creating new narratives engages your brain in new ways and it also helps to form fresh neural pathways and connections, sharpening your mind.

Writing also physically changes the brain, improving memory and critical thinking. It activates multiple ares of the brain and increases levels of self-awareness, as well as enhancing well-being. Handwriting has more benefits than typing, but I do both. I find it helpful to journal ideas, but I type up my work when I get going.

“I find it helpful to journal ideas, but I type up my work when I get going.”

Start small and build up. Try writing 100 words over a coffee before you begin the day. Some writers get up early and write for an hour, but it’s different for everyone. Check out the 5am Writer’s Club and the Twitter hashtag #5amWritersClub

Build up slowly and keep it consistent. Aim for once a day or set aside a few days a week where you have a slot to write without distractions. Switch everything off, especially your phone. Go for a walk first if you can, or if you need a break between writing stints. The motion of walking can clear any mental clutter in your mind, helping you to focus on new ideas. The increased blood flow to the brain also boosts creativity and cognitive function.

“The actual motion of walking can clear any mental clutter in your mind, helping you to focus on new ideas.”

Use images to help with inspiration. I’ve written a blog post on creating Pinterest boards for writing inspiration, but you can use a photograph, a postcard or read some poetry or short stories to get you started. Sometimes, you just need an idea, a scene, or a snippet of conversation, or a line of poetry to begin.

I’d love to know how you get on. Leave a message in the comments, and feel free to ask any questions.

Poems Published in Cable Street Press: Issue 9

Four of my poems have been published in the marvellous Summer Edition of Cable Street Press, Issue 9.

A word from the editor on Issue 9:

Tiger Swallowtail Butterfly, Sage Flowers, Marigolds.

Bastille Day has come and with it, the explosion of writing and art that is the latest Cable Street Issue. I’ll be frank with you—every issue blows my mind. I see all the pieces one by one and they are surprising, delightful, shocking, thought provoking. But then they all come together, and each and every time, I’m moved by the web of art in conversation that is created...And these are only some of the many treasures of this issue. Storm into this tower at your own speed, making sure to check out the poetry of F.C. Malby and Roberta Schultz…There is plenty to enjoy on this Bastille Day weekend.

— Hardy Griffin for the editors

Poems by F C Malby

My poems, Crossing, I Have Already Gone, Moths, and Where Have All the Birds Gone feature a range of themes, including the contentious issue of immigration. Through Crossing, I wanted to give a voice to the voiceless; this is a particularly exigent issue.

Crossing

I line up with other bedraggled bodies,
some look as though they might be dying,

others carry the weight of grief. I watched
a child slip away while we waited yesterday,

saw the life leave its lungs, the mother clung
to its body, tears wet the child’s face. It’s not

pretty, it’s worse than they tell you. I don’t
know whether we will make it or whether

we might be taken back. I don’t speak
the language, few of us do. It matters.

The look on the guard’s faces is difficult
to read, tells me they’ve seen so much

of this. None of us know what to do or
what’s next. Clothes dry on a makeshift

line between tents, next to plastic bags
of what we have left after the police take

anything else. Some of us camp under
bridges, avoiding the boulders that stop

us settling on softer ground. We wait for
the next boat, for a better life. The

mother is still holding the child. We
wait. Some of us won’t make it.

Read my other three poems here.

Exciting News: Four Poems to be published in Cable Street Literary Journal

I’m thrilled to have an acceptance of four poems to be published in International Literary Journal, Cable Street, in July. They only publish work three times a year, so I’m happy that my poems have found their way into this wonderful journal. I don’t know about you, but I love a backstory, so I thought I’d share a little about the publishers ahead of the publication.

CABLE STREET


“We are, first and foremost, an international, online journal fostering exchange among writers and readers of many languages. We post new issues three times a year: on or about May 1, Bastille Day, and Thanksgiving.

Our name reflects the essence of our journal: a festival of communication across nations and traditions, a chance to wander the byways of art from many hands and many lands. 

Cable Street is a road in London’s East End. It takes its name from the ships’ cables once made there—cables that traveled the world on British fleets. A place enlivened, then and now, by the dozens of languages spoken by sailors, traders, and immigrants. A place where, in 1936, a coalition of antifascists took a stand against the British Union of Fascists, turning back the tide of repression and ethnocentric dominion.

Like our namesake thoroughfare, Cable Street embraces the human family in its multitude of cultures.“

Photo credit: Cable Street Journal, Cable Street, London

More news in July!

Bluesky

Just a quick update to say that you can now find me over on Bluesky. Let me know in the comments if you want to connect, and we can find each other. I mostly follow readers, writers, publishers and anything art and culture related. Most of my chat will be writing related and you can follow blog posts there, or go to my blog and hit follow. Look forward to connecting with you.

What I’m currently reading and watching

There have been some wonderful new book releases and crime thriller series, so I thought I’d share some of my recent reads, books on my Wishlist and things I’ve watched and enjoyed.

CURRENTLY READING

The Giant on the Skyline, by Clover Stroud, is a memoir on home, belonging and learning to let go. It’s meditative, restless and unafraid to ask the difficult questions of life. Stroud’s ‘what ifs’ and ‘maybes’ are loud and resonant. I’m looking forward to seeing where the story will take me. I would recommend it from what I have read so far.

NEXT ON MY BOOKLIST

Kate Atkinson is a wonderful writer. In Death at the Sign of the Rook, Ex-detective Jackson Brodie is called to a Yorkshire town over a stolen Turner painting.

Once a grand country house, Burton Makepeace, Lady Milton’s home, has been converted into a hotel, hosting Murder Mystery weekends. As guests, including a vicar, an ex-army officer, aristocrats, we are taken on a Agatha Christie-style mystery tour.

Dream Count is the searing new novel from the author of Americanah, Chimamanda Ngoni Adichie. The Times hails this as a “feminist War and Peace.”  It tells the story of four women and their loves, longings and desires.

Adichie tells the stories of these women while leading the reader to consider the choices we make and those made for us and on our interconnected world. Dream Count presents unflinching observations on the human heart, in language that soars.

WHAT I’VE WATCHED

Adolescence is a four-part crime drama series that will make you feel you are living the nightmare that 14 year old Jamie Miller’s family are enduring, as we are thrown into his arrest for killing school girl and fellow classmate, Katie.

This is a gripping and timely drama that runs close to real life, telling a story of violence and shame, as we watch the story unfold in their home, on the streets, in the police station, an in a chilling interview with a psychologist.

In this fast-moving crime thriller, Black Work, police officer, Jo Gillespie, is left with unanswered questions surrounding the death of her husband, who is shot dead in the line of action as an undercover officer. Jo has to work out who to trust and retrace his steps, as she is left to confront issues in her marriage in order to discover who killed her husband.