Hemmingway’s Tip Of The Iceberg: Omit What the Reader Knows

If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due … Continue reading Hemmingway’s Tip Of The Iceberg: Omit What the Reader Knows