Launch of Wild Seas Audiobook: A Community Storytelling Journey

Wonderful news that Pens of the Earth will be launching a new audiobook version of Wild Seas, Wilder Cities on 29th June 2026 at Portsmouth Guildhall’s Lens Studio.

Here is a little more about their journey …

‘I believe in the power of community, and also in the power of stories to bring about change.’ Wilder Voices workshop attendee

In 2025, following the paperback and ebook publication of Wild Seas, Wilder Cities, Pens of the Earth received funding from Portsmouth Creates to invite people across Portsmouth to learn performance skills and join many of the book’s contributing authors and poets to record the upbeat and diverse environmental fiction, articles and poetry contained within the book.

‘… proud to be a part of making this book more accessible and able to reach a wider readership – or listenership I should say!’ Wilder Voices workshop attendee

The audiobook was created as part of the Portsmouth Creates In Our Words festival of literature, literacy, and storytelling – designed to inspire, engage and connect people of all ages. The inspiration of this brief enabled Pens of the Earth to reach out and involve people from all walks of life in the recordings, including teachers, actors, authors, poets, artists, environmentalists, environmental volunteers, and other members of the public.

‘I have been reading the book and love it. The whole idea of all these authors coming together to create such a masterpiece is truly inspiring and reading some of the work enabled me to be part of that.’  Wilder Voices workshop attendee

From mid-October to early December 2025, fifty different people took part in the recordings, and the diverse voices bring to life the ‘rising chorus of voices’ previously described by Nicola Chester in her 2024 review of our published book.

‘Really great to meet new creative souls, great morning, all learnt from each other.’ Wilder Voices workshop attendee

They began with three workshop and recording days led by Christine Lawrence at Casemates Studios in their vibrant and friendly venue, hosting the workshops in one of their rehearsal rooms.

Later in November, they recorded the Wild Seas, Wilder Cities contributors, welcomed back some of the workshop participants who were eager to read more, and invited a number of volunteers from the local acting and spoken word communities.

Poems Published in Cable Street Press: Issue 9

Four of my poems have been published in the marvellous Summer Edition of Cable Street Press, Issue 9.

A word from the editor on Issue 9:

Tiger Swallowtail Butterfly, Sage Flowers, Marigolds.

Bastille Day has come and with it, the explosion of writing and art that is the latest Cable Street Issue. I’ll be frank with you—every issue blows my mind. I see all the pieces one by one and they are surprising, delightful, shocking, thought provoking. But then they all come together, and each and every time, I’m moved by the web of art in conversation that is created...And these are only some of the many treasures of this issue. Storm into this tower at your own speed, making sure to check out the poetry of F.C. Malby and Roberta Schultz…There is plenty to enjoy on this Bastille Day weekend.

— Hardy Griffin for the editors

Poems by F C Malby

My poems, Crossing, I Have Already Gone, Moths, and Where Have All the Birds Gone feature a range of themes, including the contentious issue of immigration. Through Crossing, I wanted to give a voice to the voiceless; this is a particularly exigent issue.

Crossing

I line up with other bedraggled bodies,
some look as though they might be dying,

others carry the weight of grief. I watched
a child slip away while we waited yesterday,

saw the life leave its lungs, the mother clung
to its body, tears wet the child’s face. It’s not

pretty, it’s worse than they tell you. I don’t
know whether we will make it or whether

we might be taken back. I don’t speak
the language, few of us do. It matters.

The look on the guard’s faces is difficult
to read, tells me they’ve seen so much

of this. None of us know what to do or
what’s next. Clothes dry on a makeshift

line between tents, next to plastic bags
of what we have left after the police take

anything else. Some of us camp under
bridges, avoiding the boulders that stop

us settling on softer ground. We wait for
the next boat, for a better life. The

mother is still holding the child. We
wait. Some of us won’t make it.

Read my other three poems here.

Exciting News: Four Poems to be published in Cable Street Literary Journal

I’m thrilled to have an acceptance of four poems to be published in International Literary Journal, Cable Street, in July. They only publish work three times a year, so I’m happy that my poems have found their way into this wonderful journal. I don’t know about you, but I love a backstory, so I thought I’d share a little about the publishers ahead of the publication.

CABLE STREET


“We are, first and foremost, an international, online journal fostering exchange among writers and readers of many languages. We post new issues three times a year: on or about May 1, Bastille Day, and Thanksgiving.

Our name reflects the essence of our journal: a festival of communication across nations and traditions, a chance to wander the byways of art from many hands and many lands. 

Cable Street is a road in London’s East End. It takes its name from the ships’ cables once made there—cables that traveled the world on British fleets. A place enlivened, then and now, by the dozens of languages spoken by sailors, traders, and immigrants. A place where, in 1936, a coalition of antifascists took a stand against the British Union of Fascists, turning back the tide of repression and ethnocentric dominion.

Like our namesake thoroughfare, Cable Street embraces the human family in its multitude of cultures.

Photo credit: Cable Street Journal, Cable Street, London

More news in July!

Poetry Publication

My poem, She Laughs with the Breeze, has been published today at Fifty Word Stories:

She laughs with the breeze
as it sweeps through the town,
men — liquor-fueled and free
with their words — lean on the
bar as the music plays…

You can read the rest of the poem over at Fifty Words. Leave a comment and let me know if this inspires you.

Book Pile

This morning, I’m dipping into some poetry and short stories from a few of my favourite authors. The advice I was given when I began writing was, read as much has you write. Over the years I’ve come to see the importance of this and the need for balance.

Ian McEwan, in an interview, said that he reads for several hours a day and it’s good to read a range of fiction, especially outside your genre. Although, today I’m focusing on poetry and short fiction. I’ve written quite a bit of both, recently, but I haven’t had time for much reading. I’m currently studying for a Masters in Theology, so it’s a juggling act. I finished ‘Reservoir 13’ by Jon McGregor this week. I need some time before I review it, as I have so many thoughts on it.

Today, I’m looking at these beauties by Claire Keegan, whose book, ‘Small Things Like These,’ was my favourite read of 2022. I then read ‘Foster,’ which was also an intensely beautiful, if a little melancholic, read. I’ve reviewed it on this blog. These are stand alone short stories, The Forester’s Daughter and So Late in the Day. I also want to read Alison Moore’s Eastmouth and Other Stories. I really enjoy her short fiction and her novels. One of my favourite stories for sheer tension and beautiful writing was ‘When the Door Closed, It Was Dark,’ originally published by Nightjar Press and in the collection, Pre-War House and other Stories, but Salt Publishing.

Wendell Berry’s poems are meditations on relationships and belonging, and Daunisha Laméris’ poetry is vibrant and atmospheric. I haven’t started Homesickness by Colin Barrett, but I enjoy his short fiction. His newest book, Wild Houses, will be published by Jonathan Cape in 2024. Now, time to read…..