Writers Resources – Page 4

The Creative Process

Author Jon Rance is guest posting today on the creative process of his writing. His book, This Thirtysomething Life, published by Hodder and Stoughton, is a love story about what happens after we’ve fallen in love, when we’ve swapped frolicking in the bed for cigarettes in the shed and Match of the Day for Mothercare. Brutally honest, laugh-out-loud funny and heart-warming, this is a diary about one man’s bumbling journey on the road to adulthood. If you like Nick Hornby, you’ll enjoy this. Thank you, John.

Firstly, a big Thank You to Fiona for letting me loose on her blog. She’s a brave lady indeed! For those of you who don’t know me, I’m Jon Rance, author of the romantic comedy novel, This Thirtysomething Life. I approached Fiona and asked her if I guest blog on her site. Luckily she agreed and so here I am.

Being a writer, people often ask me the same sort of questions. Where do you get your ideas? How do you write? Where do the characters come from? I guess what they want to know is what my creative process is. It’s an interesting concept and I’m sure different for every author. Mine is a bit haphazard if I’m honest. I read about authors who meticulously plan out books down to the last full-stop. I don’t.

When I start a novel I need the following things. A title. Main characters. Motivation. An ending. I think having a title from the off helps bring the whole thing together. I often think of the title before I know anything about the book. I need to know who the main characters are. By this I just mean a brief bio, name and what they look like. Motivation is what will drive the book forwards. In This Thirtysomething Life, I knew from the beginning that the story was going to be about a guy having a hard time growing up and coming to terms with becoming a father. Right from the word go everything else stemmed from this idea. An ending. Endings can change during the book, it happens, but I think it’s important to know at the beginning where the story is going. The journey is something else, but a destination is important, whether it’s a scene you have in mind, a sentence or just where the character is emotionally.

Once I have those I just start writing. For me writing is a very organic process. I need a few chapters to really get to know the characters properly. I often find that once I know them better, the plot is formed mostly in part by them and the choices they make. My writing has always been character based. I think in my genre of commercial fiction, characters are the base of everything. Plot is important, but for me the first draft is where I get to know the characters. Once I have the first draft down, the second, third, fourth – fifteenth are mainly about tweaking the structure and the plot. I often think writing a novel is like building a house. The first draft is building the structure. Every other draft after that is about making it look nice. The last draft is the one where you get to hang up the paintings, pop the interesting sculpture you bought from the market on the mantelpiece and then sit down on the comfy sofa and marvel at what you’ve accomplished.

I’ve definitely improved as a writer with every book. I wrote four complete novels before This Thirtysomething Life was picked up and published by Hodder. Those four novels were my learning curve. I made some mistakes, but more importantly, I learnt about my creative process. I think it’s a very personal thing. We can learn from others, read books about writing, get hints and tips, but at the end of the day, we all have to learn our own creative process. I used to think mine was ridiculous and that I should change and be more organised, but what I’ve come to realise is that it doesn’t matter how you write, as long as you do it your way because writing is about being creative, it isn’t painting my numbers and checking boxes. Think of the creative process as your friend rather than your enemy. It’s taken me a long time, but I love mine now because it is all mine and I couldn’t do it any other way.

Jon Rance is the author of the romantic comedy novel, THIS THIRTYSOMETHING LIFE, which was a Top Ten best-selling book on the Amazon chart. Born in Southampton in 1975, he studied English Literature at Middlesex University, London, before going travelling and meeting his American wife in Australia. He is currently working on his second novel, HAPPY ENDINGS. Outside of writing Jon loves travelling, music, sit-coms, art and watching football (but not playing anymore due to dodgy knees).

Both THIS THIRTYSOMETHING LIFE and HAPPY ENDINGS are published by Hodder and Stoughton. Jon is represented by Ariella Feiner at United Agents.

His website can be found at www.jonrance.com

You can also follow him on Twitter @JRance75

Hilary Mantel’s rules for writers

Hilary Mantel rounded off an astounding year by winning the Costa prize last night for her novel Bring Up the Bodies. Having also won the Man Booker Prize, she is the first person to win both. To celebrate, here are the golden rules for writing that she first shared with the Guardian on 25 February 2010.

Hilary Mantel

Hilary Mantel. Photograph: Murdo Macleod

1. Are you serious about this? Then get an accountant.

2. Read Becoming a Writer, by Dorothea Brande. Then do what it says, including the tasks you think are impossible. You will particularly hate the advice to write first thing in the morning, but if you can manage it, it might well be the best thing you ever do for yourself. This book is about becoming a writer from the inside out. Many later advice manuals derive from it. You don’t really need any others, though if you want to boost your confidence, “how to” books seldom do any harm. You can kick-start a whole book with some little writing exercise.

3. Write a book you’d like to read. If you wouldn’t read it, why would anybody else? Don’t write for a perceived audience or market. It may well have vanished by the time your book’s ready.

4. If you have a good story idea, don’t assume it must form a prose narrative. It may work better as a play, a screenplay or a poem. Be flexible.

5. Be aware that anything that appears before “Chapter One” may be skipped. Don’t put your vital clue there.

6. First paragraphs can often be struck out. Are you performing a haka, or just shuffling your feet?

7. Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that’s the point to step back and fill in the details of their world. People don’t notice their everyday surroundings and daily routine, so when writers describe them it can sound as if they’re trying too hard to instruct the reader.

8. Description must work for its place. It can’t be simply ornamental. It usually works best if it has a human element; it is more effective if it comes from an implied viewpoint, rather than from the eye of God. If description is coloured by the viewpoint of the character who is doing the noticing, it becomes, in effect, part of character definition and part of the action.

9. If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don’t just stick there scowling at the problem. But don’t make telephone calls or go to a party; if you do, other people’s words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.

10. Be ready for anything. Each new story has different demands and may throw up reasons to break these and all other rules. Except number one: you can’t give your soul to literature if you’re thinking about income tax.

Why You Should Try Writing in Second Person

First person and third person—you’ve been there, done that. But what about writing in second person? It may seem strange, unconventional, or confining, but playing with point of view is one way to transform a story.

Point of view affects a story in that it allows readers to gain a very specific perspective. The second person is no different. Here are three reasons why you should try writing in second person:

Photo by Rick Seidel

You, Your, and Yours

1. Second person pulls the reader into the action.

Especially if you write in the present tense, second person allows the reader to experience the story as if it’s their own. To avoid a “choose your own adventure” feel or an aggressive tone, mix up sentence structure and add in description and dialogue. Using the pronoun “you” and describing action as it happens supplies a personal sense of urgency, propelling the story—and the reader—forward.

Example: You’re late. Heart pounding, you race up the stairs as the train enters the station. You weave around the slow-moving people milling on the platform and dash towards the train, throwing your body through the doorway with only a moment to spare.

2. Second person gets personal.

One way to experiment with second person is to write as if the story is a letter from the narrator to “you,” reflecting on past events and current feelings, asking questions. (It doesn’t have to be in an actual letter form; the idea of a letter is simply a way to describe the intimate tone.) This technique isn’t necessarily “pure” second person, as it pairs “you” with the narrator’s first-person point of view, but it allows you to dip a toe in the second-person perspective. At the same time, it gives readers a peek into a relationship, a memory, and a character’s emotions.

Example: You told me to meet you at the bar. Things hadn’t been going well, but I couldn’t put my finger on what exactly was wrong. Did you plan on breaking my heart that night? We locked eyes as I walked through the entrance, and I knew things were coming to an end.

3. Second person stretches your skills and surprises readers.

Because it’s not often used, the second person point of view feels fresh to readers. And for writers, it means a new way of telling a story, a different way of revealing character. In this way, it offers a new perspective for writers and readers alike.

(Reblogged from The Write Practice)

How To Use Pinterest To Improve Your Writing

When I write I have the scenes playing in my mind like a film scene and I need images for inspiration. Whether imagined or actual images, I need to ‘see’ the characters and the setting and buildings. I hit gold when I started to use pinterest as I am a highly visual person. I love art and photography, so this sight has an almost magnetic quality about it for a mind which soaks up the visual world.

I began using pinterest to ‘pin’ my ideas and create the atmosphere that I needed in order to write some of my scenes. I have added a clip of the board for Take Me the Castle to the beginning of this post but you can see the whole board here if you are interested.

You can also use scrivener, but I find pinterest quick and easy to use. There is a plethora of images already posted by others which you can search for, or you can pin your own images from any website by pasting the url, or add your own file.

Why and how does this help?

Some writers use prompts or music to help them to write. Jane Friedman has written a good article on prompts and Roz Morris has a blog about how writers use music to build their stories. If you are a visual person a collection of images can spark new ideas or link a character’s responses to his or her environment. It can help to put you in the scene and to think about how the characters will respond to a cliff edge, or a towering building, or a dark room.

According to neurolearning, ‘brainstorming activities of visual thinkers may be more productive if right hemispheric strategies of brainstorming and organization (mindmapping, doodling, free association, analogies) are undertaken. In fiction writing, often the most powerful writers are good at plumbing the strengths of both the right and left hemispheres.’ As a qualified teacher I can attest to the fact that children who are visual thinkers and learners engage more readily when the right side of their brain is stimulated with images and free drawing and mapping. You might be interested to know that most writers are in fact right brained, they use the right side of their brain to engage creativity more than the left side.

I would encourage you to have a look at pinterest and try pinning some images. I also have a board with writing quotes and information and boards with portraits and travel, which help to get the ideas flowing. Let me know if you have any other ideas for visual inspiration.

Book Release: ‘Take Me to the Castle’ by F.C. Malby

Today is the release of my debut novel, ‘Take Me to the Castle.’ You can buy it on Amazon in paperback and on kindle. It can also be ordered in bookstores from January 2013.

Thank you for following my blog so far and I am enjoying your comments and your own posts. I wanted to let you know that I will be guest posting on some other writing blogs over the next few days. It would be great see you over at:

http://mysterywritingismurder.blogspot.co.at/ hosted by Mystery writer, Elizabeth Span Craig. She blogs daily and her website was named by Writer’s Digest as one of the 101 Best Websites for Writers for 2010, 2011, and 2012 (19/12/12).

http://www.aliventures.com/ hosted by Ali Luke, author of ‘Publishing eBooks for Dummies’ and a writing coach. Ali is full of information on writing and publishing and is a well-respected blogger. (20/12/12)

http://www.30daybooks.com/blog/ hosted by Laura and Brandon, who post great articles on marketing and publishing. Laura has been featured on CNN and has just released ‘Fire Up Amazon.’ (21/12/12)

Do leave comments and join in with the discussions. I look forward to seeing you there.