Guest Blog Post and eBook Giveaway

This is just a quick post, as I have already posted today. I wanted to let you know that I have written a guest blog post on writing and inspiration over on Jon Rance’s website if you would like to have a read.

I also wanted to let you know that Take Me to the Castle is free to download from Amazon as an eBook until Friday 1 March.  If you don’t have a kindle device you can download the app onto your smartphone, PC, MAC, or tablet.

Here is the book trailer to wet your taste buds:

http://youtu.be/i98KuuIit1Y

What Poetry Teaches Us about Writing Prose

I took a poetry class to fulfill one of my workshop requirements for my master’s in Writing and Publishing. Although I didn’t have much prior experience with poetry beyond some teenage scribbles, I discovered a new way of playing with language.

And in the process, I also realized that writing poetry helped me to create better, stronger prose. Here are four things I learned about poetry that also apply to writing prose:

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Photo by Saltygal

Roses are Red, Violets are Blue

1. Focus on one moment.

My professor encouraged us to be specific and concrete when writing our poems—none of that abstract what-does-this-mean? stuff. We narrowed the scope of each poem to one moment and took care to describe it so the setting, action, characters, and emotions were crystal-clear.

2. Choose the best words.

Because most of the poems we wrote were fairly short, we wrote concisely. Each word had to carry meaning and work hard. No fluff allowed.

3. Work with structure.

Some of our assignments dictated the structure of our poems. In those cases, I only had so many lines or syllables to work with or I had to make sure certain lines rhymed, but establishing parameters made my writing stronger. I had to think and revise and move parts around. While we have a lot of freedom in writing, adding the constraint of a structure forces us to have a goal in mind and be creative in a new way.

4. Play with lyrical language.

Even concise writing is allowed to sound pretty. Poetry is rhythm and sound. It’s a form of writing that’s especially wonderful when read aloud. When the language is musical, the poem itself comes into focus and creates a song, one note at a time. It conveys more than just the words.

Reblogged from thewritepractice.com

 

5 Ways to Write More Effectively

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W.H. Auden’s Desk (copyright F.C. Malby)

I know there are many lists of ‘to to-dos’ and ‘not-to-dos’ for writing and endless amounts of advice, but I just wanted to add a few things which I have found really helpful (some of them dietary!)

  • Write first thing in the morning if you can. I know that people work to different schedules and many people are writing around full-time jobs and some, well into the night. If you have the time, though, I think the mornings are a time when your mind is fresh and uncluttered from everything you might have read on email, twitter, facebook, and the news. Interestingly, I have heard several writers this week saying that they are pulling back from the internet because it is hampering their creativity (but that is another post all together).
  • Cut out caffeine for a while. Yes, I really did say that. I know it sounds like a lot to ask and, believe me, I LOVE coffee but before Christmas I was feeling tired and lethargic and I realised that I was drinking far too much coffee in the form of very strong nespressos. I’m now having a detox for a few months and it really does help. I can only do this because I know that it won’t be forever. I wake up feeling less tired and my mind is much clearer. The difference to my writing output is phenomenal. Since the New Year, I have written 9 short stories, 9 pieces of flash fiction, and mapped out the next novel. I drink peppermint tea and water and I can’t tell you how much it has helped. Getting enough water is really important for brain function. When I teach, I can spot the children who haven’t had a drink in the mornings. They can’t focus.
  • Have a rough plan of where you are going. Whether you are a detailed planner or are more relaxed with your writing, it helps to know where you are heading for the day/week/month. I carved out time during January and February to write short fiction and have achieved my goals. Your targets can be large or small, long-term or short-term but I would encourage you to make some goals rather than to drift through the days.
  • Use visuals to help with details of characters and settings. I use mood boards and Pinterest to give me the fine details, especially for short fiction. See the article I wrote recently on using Pinterest to help your writing. To be able to see images, beyond what is already in your mind, can give a fresh perspective and trigger new ideas.
  • Take a break. You can’t really focus for more than 90 minutes without loosing a certain amount of efficiency and concentration. Some people use timers but you’ll have a clock on your screen/wrist/wall, so make sure that you get out of your seat and move around. It will get the blood flowing to your brain and your muscles, especially the leg muscles which have been squashed into a chair for longer than they were designed to handle.

9 Books on Reading and Writing

 

Taken from Brain Pickings (via kobo writing life) which is a really good website on what’s out there in relation to creativity, thinking, culture and art. These books are highly recommended. I have read most of them and would especially recommend Elements of Style and On Writing.

 01 elements of style 1The Elements of Style Illustrated –  marries Maira Kalman’s signature whimsy with Strunk and White’s indispensable style guide to create an instant classic.

 

 02 bird by bird 2Bird by Bird, Anne Lamott – the 1994 classic is as much a practical guide to the writer’s life as it is a profound wisdom-trove on the life of the heart and mind.

 

 03 on writing 3On Writing: A Memoir of the Craft, Stephen King – part master-blueprint, part memoir, part meditation on the writer’s life.

 

  04 zen in the art 4Zen in the Art of Writing: Releasing the Creative Genius Within You, Ray Bradbury  –  Bradbury shares not only his wisdom and experience in writing, but also his contagious excitement for the craft.

 

 05 war of art 5The War of Art: Break Through the Block and Win Your Inner Creative Battles, Steven Pressfield  — a personal defense system of sorts against our greatest forms of resistance. “Resistance” with a capital R, that is.

 

 06 advice to writers 6Advice to Writers, Jon Winokur – From how to find a good agent to what makes characters compelling, it spans the entire spectrum from the aspirational to the utilitarian.

 

 07 how to write a sentence 7How to Write a Sentence, And How to Read One, Stanley Fish – an insightful, rigorous manual on the art of language that may just be one of the best such tools sinceThe Elements of Style.

 

 08 hemingway on writing 8Ernest Hemingway on Writing, Larry W. Phillips – a collection of  the finest, wittiest, most profound of Hemingway’s reflections on writing, the nature of the writer, and the elements of the writer’s life.

 

 09 how to read a book 9How to Read a Book, Mortimer Adler & Charles van Doren – from  basic reading to systematic skimming and inspectional reading to speed reading, the how-to’s apply as efficiently to practical textbooks and science books as they do to poetry and fiction.

 

Kurt Vonnegut’s 8 Rules for Writing Fiction

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1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.