Writer Resources – F.C. MALBY

What Can You Learn From Writing Blogs?

There are many writing blogs with an array of articles on different aspects of the craft of writing. I read a range of them and have learned a great deal about writing, publishing, editing and much more. The writing blog WRITE TO DONE is searching for the Top 10 Blogs for Writers in 2013. Edited by Mary Jaksch, Write to Done posts regular articles on writing fiction, copywriting, freelancing, blogging, creativity, and the art of writing. It is an invaluable resource for writers, so if you haven’t yet browsed their pages I would recommend having a look. It will be well worth your time. Their top 10 chosen blogs from previous years have led me to many new and useful blogs.

Those of you who read this blog regularly know that there are a range of author interviews, book reviews, guest posts and writing posts, and despite advice from some bloggers not to blog about writing, they are precisely the posts which receive the highest number of hits on this blog. The difference between a post on writing and a book review, or a post on something less related to fiction is surprising. Many writers obviously read posts about writing, although some prefer not to, and readers are also curious to know about the inside workings of the craft of writing. Give me someone who loves Formula One racing who wouldn’t want to step inside a Ferrari or a Lotus, or a person who loves classical music who wouldn’t want to sit in an orchestra pit and watch the conductor at close range, and the bows of the string section moving in time to the conductor as he sets the tempo for the sound. Are you with me?

So, now is the time to vote for any writing blogs which have inspired you over the year. Here’s how you can nominate a blog:

How to Nominate Your Favorite Writing Blog:

→ Nominate your favorite blog in the comment section.

→ You have only one vote (only your first will be counted).

→ Please include the web address of the blog.

→ Explain why you think the blog is worthy of winning this year’s award.

To make the cut, a blog must be nominated more than once. Nominations must be received by 12th December, 2013.

The top 10 list will be incredibly helpful for other writers once it is compiled. Here is a brief list of some of the blogs which have inspired me.

http://annerallen.blogspot.co.uk which is written by Anne Allen and Ruth Harris. It is one of Writer’s Digest’s 101 Best Websites for Writers and is full of honestly and humour, and is really informative.

http://writershelpingwriters.net which used to be http://thebookshelfmuse.blogspot.co.uk written by Angela Ackerman and Becca Puglisi.

http://www.jonathanpinnock.com This blog, Jonathan Pinnock’s Write Stuff has a great range of information and thoughts on writing and, again, is very honest. He also covers short stories, which keeps me happy.

http://helpineedapublisher.blogspot.co.uk Written by Nicola Morgan, who has had 90 books published (!) and knows what she’s talking about. She also self-publishes.

http://www.claire-king.com/blog Claire’s advice and insights are to-the-point and given from the perspective of a writer who is rigorous and, again, honest. Do you see a theme emerging here?

Don’t forget to vote for your favourite writing blogs and do add any others in the comments.

Creating Believable Characters

“Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.”

― Ray Bradbury, Zen in the Art of Writing

Character description is crucial to a good story that is both readable and convincing. For a reader to get inside your story, the characters have to seem real. They need to have characteristics which are compelling and hook a reader at an early point in the story. As writers, there are so many elements to plotting a novel which need to be considered, that it can at times be head spinning.

You have to focus on scene setting, dialogue, narrative, pace, story arc, point of view, voice and many other aspects. Without good characters, involving skillful characterisation from the author, the story will fail to bring the reader to the last page. So how do you pen characters who are enticing, captivating, abrupt, frustrating, lovable or frightening?

Study real people – Watch people’s behaviour, body language and conversations. Fictional characters need to take elements from real life. Even sci-fi has elements that can be observed from every day life. Study human behaviour and you will be much closer to creating characters who resonate with the reader.

“By the end, you should be inside your character, actually operating from within somebody else, and knowing him pretty well, as that person knows himself or herself. You’re sort of a predator, an invader of people.” ― William Trevor

Watch films – They can be a good way of observing character traits and provide ideas for your characters. Look for what is not being said, look at the body language and each character when put into different situations and learn from great scriptwriters. Remember that you have to put together in words what a director will create with images and action. The two forms are similar but the difference is that you have a blank canvas with the reader’s imagination. Create atmosphere through your characters.

“As a writer, I demand the right to writer any character in the world that I want to writer. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.” – Quentin Tarantino

Read books (classics, if you enjoy them) – The classics are still being read because they are timeless and because they contain characters who readers can relate to, characters they love and hate. This is the essence of good story telling.

“I wish we could sometimes love the characters in real life as we love the characters in romances. There are a great many human souls whom we should accept more kindly, and even appreciate more clearly, if we simply thought of them as people in a story.” ― G.K. Chesterton

Write character profiles – Imagine that your character needs a curriculum vitae for a job interview. What would you write for each one? Think about their individual skills and experiences. Push it further and consider locations or events which might have affected them and shaped their character.

“The characters in my novels are my own unrealised possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented.” ― Milan Kundera

Put together a pin board of images – this helps if you are very visual. I use Pinterest for this and I find it also engages readers who are interested in your work. Having a selection of portraits can help to remind you of features and posture, if you wish to use this method. Some people would rather writer freely with no prompts and therein lies the truth that no two writers work the same way.

“Be sure not to discuss your hero’s state of mind. Make it clear from his actions.” (Letter to Alexander Chekhov, May 10, 1886)” ― Anton Chekhov

Related articles:

Andrew Miller, Booker and Whitbread shortlisted author, wrote a Guardian article on Creating Characters.

Melissa Donovan has written a good blog post on tips for character writing.

Writer’s Digest wrote an article on How to Craft Compelling Characters.

Step Away From The Vehicle

Step away from the vehicle – and put your novel in a drawer

This is the final piece of advice I wanted to share with you from Zadie Smith in this series on writing wisdom.

When you finish your novel put it in a drawer for as long as possible. A year or more is ideal, says Smith, but even three months will do. Step away from the vehicle. The secret to editing your work lies in the fact that you must become a reader instead of a writer. Smith says that there have been many times where she has sat backstage with a line of novelists at a literary festival, all with red pens in hand, frantically editing their published novels so that they might go onstage and read from them. Unfortunately the perfect state of mind to edit your own novel is apparently two years after it is published! And ten minutes before you go onstage at a literary festival. At that moment every redundant phrase, each pointless metaphor, all the pieces of deadwood are distressingly obvious to you as a writer.

Several years previously, when the proofs arrived, you looked at the same page and couldn’t see a comma out of place. And by the way, that’s true of the professional editors, too; after they have read a manuscript multiple times, they stop being able to see it. You need a certain head on your shoulders to edit a novel, and it’s not the head of a writer in the thick of it, nor the head of a professional editor who’s read it in 12 different versions. It’s the head of a smart stranger who picks it off a bookshelf and begins to read. You need to get into the head of that smart stranger and forget you ever wrote that book.

Personally, I left my novel for three months and began a Masters in Theology. Needless to say, the theology fell by the wayside once I picked up the book again, cut out a whole family, added two chapters, released it into the hands of my editors and completed the edits once they had finished their job. You don’t need to change course or take up something new, but at least begin some other writing and let it rest.

Here are some of my previous articles which you mind find helpful for editing your work:

https://fcmalby.wordpress.com/2012/10/10/3-things-to-remember-when-editing-your-book/

https://fcmalby.wordpress.com/2012/10/16/editing-and-ove-ruse-of-words-make-each-word-count/

https://fcmalby.wordpress.com/2012/11/09/one-of-the-most-effective-ways-of-editing-your-work/

Some interesting articles on leaving a gap between finishing your book and editing your work:

http://www.wiseinkblog.com/planning/at-first-draft-the-6-minimal-steps-to-revising-your-manuscript-before-submission/

http://www.writersdigest.com/qp7-migration-books/wgf-revision_excerpt

http://www.write4kids.com/feature4.html

http://theliteraryhub.blogspot.co.at/2011/10/top-10-tips-for-revising-your.html

http://www.scriptmag.com/features/rewriting-is-writing (this advice is for screenwriting but it applies equally to novels.)